Several years ago, a store opened at Harvard Square, a bookstore with a wonderful name: Words Worth. How very appropriate for the echoic ring with the poet himself, a poet who wrote with such eloquence, such elegance. It was a very clever title, and here is what I was wondering even, then. And that is, how come we can do this, so beautifully, with this amazing clay, words! Pottery and poetry are very close. Are we clay at the wheel of a Master Potter? I think about this as I pass a bicycle store on route to Russell’s Garden Place. On route 20. Shades of: 2020. It is named: Spoke’n Wheel. Think about it.
Why is it no one has asked this crucial question about the alchemy of words. Yes, perhaps the crux of the matter, within crucial itself, is the cross, and within this, the rose. I see something, a beauty of words in their very deconstructions. And I say, this story will carry us all home.
And this scares the Dickens out of us. Why? Well there is this terrible angst, this life we lead being so filled with sorrow. And what is it I am saying? Turn the world upside down and now consider something else? How it is I can joke in a talk about evolution and its meaning and say, “Guerilla” warfare, bringing an audience to laughter. How it is I can say, I have Great Expectations, this story is going to someplace that is ultimately about love. And yet, we all go to the Wall, totally on issues of free will and determinism. And yet, again, if any one of us believe there IS this Messianic story, about see change and a sea change in human consciousness that is written, we have reconsider, free will and determinism and how this dance is constructed. We just do. And going to that place is going to be one hell of a bumpy ride. Pale horse. Pale rider.
I am saying this story is about love. I am saying this. And my words, like water, like flow, like what is current, what is also charged in current, are being so totally ignored. Invisible. As the hidden face of God. And yet so visible.
When I am in autumn, a season that brings me to hug those trees with renewed vigor, I see everywhere, that Moses story, about the burning bush. Those vivid reds, so scarlet, those oranges. And I think about Vivaldi. The Four Seasons.
Within Nature herself, sign nature of all things!
How do I love Thee, let me count the ways (Browning). Brownian Motion.
And poetry, all poetry, is the explication, of these endless metaphoric truths.
I say, it’s not over, when it’s over. I give homage to Wordsworth, Intimations of Immortality. Look around, world. Turn it upside down. It is said, the poles are shifting!
Pease porridge hot/pease porridge cold/pease porridge in the pot/nine days old/ some like it hot/some like it cold/ some like it in the pot/nine days old
I remember having to say this, when studying acting. And I say look to those nursery rhymes too, Go in and out the Windows/ As you have done Before/
and maybe, take another look! What is, behind the scenes. Behind what’s seen? What scene is this? What Act. I am losing track.
Ashes/Ashes/we all fall down
and then, with our children, we do pick ourselves up, hold hands, and circle!
Post script: Re Brownian Motion: parts of my Diary were sent and are still being sent, to the Hay Library at BROWN University, The Mel Yoken Collection of Letters.